Showing posts with label Advertising. Show all posts
Showing posts with label Advertising. Show all posts

Friday, April 24, 2015

Information Glut as a Catalyst of the Fragmentation of Self: Implications of Advertising

The first paper to get a grade for this semester! There are four from this semester still floating around in a professor's computer waiting to be slapped with a grade.
Finally, the boost of confidence needed - just in time to tackle an 18 page behemoth...and with just 16 days to go...
Let's not forget the three other papers left to write.
Um, sure...no stress.
This is the first time this many papers have been put off this close to deadline. Good thing graduation is just a mere few weeks away...(but wait, what's that about getting a second degree?! More on that later...)

Here is it, as requested by one Mr Charles Bivona (of Facebook, Twitter and Blogging fame), in all of its 98% glory. The instructor for the class (Advertising and Society) is a tough cookie, and the topic chosen turned out to be logistically difficult in stringing together concepts to create a coherent argument, so the grade was a surprise. Of course now that it's done it looks ridiculously easy.



or read it here...

Information Glut as a Catalyst
of the Fragmentation of Self: Implications of Advertising

In The Saturated Self Kenneth Gergen focuses on social saturation caused by technologies themselves as the forerunners to increasingly fragmented self identity. However apt Gergen’s argument may seem, there are byproducts of the relationship between people and technologies that may be the real perpetrators. One such byproduct of technology and human relation is the increased abundance and dissemination of information and knowledge through information technologies. As much as there is an abundance of information, so is there a wide range of types. This critique will focus on a particular kind of information, which is that created by advertising. The position is that it is information itself that impacts identity control, not necessarily technologies. Rather, it is the ways in which information is created, distributed and processed through technologies that proliferates ostensible fragmentation of self identity.
Each stage of the technological revolutions - from printed words, to radio and film - has changed the shape of information and society[1], including how we understand and manage self identity. Focusing on information technologies, a connection can be created between advertising and the fragmentation of self identity in the post modern world. There are also strong implications for its nurturing of the “[...]populating of the self, [as well as] the acquisition of multiple and disparate potentials for being”[2] as it fosters dissonance and anxiety in identity control. 
As cable television meant the end of shared cultural experience through nightly news[3], so does information technology further contribute to the loss of cohesive shared experiences, facilitating the fragmenting of self. New advertising strategies attributed to the rise of information technologies and computer-mediated environments may extend this further, not only propagating it, but catering to a fragmented identities in society.

Advertising as Information and Culture
Advertising is a form of marketing communication and a medium of information. Advertising provides information about a product’s capabilities and characteristics, but it also informs culture through the use of symbols, creating “cultural materials”, cultivating and confirming stereotypes, influencing how we understand ourselves in the social world, as well as impacting the perceptions of the world in which we live.[4] The primary way in which we receive these information messages is through technologies, which have progressed from print to today’s information technologies. Whether we acknowledge it or not, advertising information affects the subconscious, which guides our cognition in our self-identification construction.[5]
Reflecting on the writing of Karl Marx, Neil Postman, in Technolopy, proposed that technologies influence people’s perception of social and mental life[6], which in effect influences culture. As Gergen further illustrates,“emerging technologies saturate us with the voices of humankind”[7] and these voices, whether they be in the form of entertainment, advertising, or social interaction, carry information messages. The exposure to these vast range of messages can lead to loss of coherent identity and to the fragmentation of self identity, “increasing sensitivity to the social construction of reality”[8], thereby increasing anxiety as we struggle with information that does not conform to our concept of self in a process called cognitive conservatism.[9]
The messages and information of advertising continues to change, mirroring the evolution of society.[10] With the growth of information technology, advertising messages continue to become more about the consumer of the product than the product itself, pandering to the insecurities of the target audience.[11] Advertising uses “cultural cues to communicate fairly complex messages [...] exploiting stereotypes and cultural references”[12] further capitalizing on anxieties of fragmented self-identity.
Evolving Advertising as Catalyst
There is a sweeping shift in our exposure to advertising information, as well as advertising’s exposure to our information. As marketing moves away from a traditional approach[13], developing new strategies like niche or target advertsing, taking advantage of innovations like cookies, tracking pixels, and developing emotional analysis software[14], the ability to cater to aspects of the fragmented self identity increases and persists. As technologist David Weinberger asserts, “by pulling together implicit data from multiple sources, marketers can avoid being fooled by our lopsided self-presentations on any one site”.[15] This not only validates the fragmentation of identity but facilitates the maintenance.
However, it is not perfect validation just yet. As Nikhil Seith wrote in an article for AdWeek, while meaningful messages cannot be crafted if identity is not understood - which is achieved through data - so far marketing isn’t doing an adequate job. Cookies aren’t really enough. The answer, according to Seith, is The Internet of Things - wiring your physical world to your digital world in order, which will combine increasing amounts of fragments and craft a more cohesive identity.[16] Therein lies the holy grail of advertising in its quest to profit from the satisfaction and validation of every theoretical fragment of self.
Social Influence of Advertising Information
A technology focused and saturated society is a condition of ”culture [and] a state of mind”.[17] Gergen asserts that saturation by technology is contributing to the reformation of society, and that this has implications on knowledge and information.[18] As the shape of knowledge and information becomes an increasingly social construction, involving networks of people, so does the dissemination of cultural information inform an even greater population.[19]
Cultural information provided by advertising is further distributed by the ever growing population of social networks, through visible relationships constructed with products and services by following the accounts, and by activities such as “likes” and “retweets” and “thumbs up”. These types of valuable “peer recommendations”[20] also reinforce the messages, giving new authority to the cultural claims of advertising and its information
Through the new network of knowledge not only do previous authorities on information lose the “singular” power of their voice[21], contributing to “the erosion of authority”[22], but the amount of information is expanded.  The revitalized authority of advertising messages in the hands of the masses, incorporated with the vast networks afforded by information technologies, leads to “dynamic” cultural influences and “multiple cultural knowledge systems” which individuals employ to “understand, interpret, and behave” in any given situation.[23] Given the multiple contexts of the world and information that information technology provides, “no transcendent voice remains to fix the reality of selves [into place]”.[24]

The Influence of Information from Advertising Relationships
In the information fueled world of the technology focused society, the definitions of reality become redefined,[25] including definitions of self and identity, creating platforms through which  “a barrage of new criteria for self-evaluation” are realized.[26]  Further, expectations are redefined due to increased information which “may also disrupt the social and psychological processes underlying identification through which individuals come to understand who they are as persons”.[27]
As Gergen states, “the technological achievements of the past century have produced a radical shift in our exposure to each other” pushing people closer, subjecting them to growing numbers of  populations, which propagates unimagined relationships.[28] There is an endless juxtaposition of information messages from diverse social groups competing with those of companies and products through advertising. This increases the amount of cultural information, cluttering media and culture[29] with complex arrays of cultural messages about who a person is or should be, which increase identity control anxieties.
Interaction with products and brands through the aforementioned social networking fosters the “manifestations of relatedness” in which “face-to-face encounter[s]” and “reciprocal interchange” become irrelevant in fostering and maintenance of valid relationship paradigms.[30] Gergen warns that “[...] one must be prepared for the possibility that media figures do enter significantly into people’s personal lives”.[31] This effectively plays out in celebrity endorsements and ‘celebrity as brand’ where personalities essentially become the brand or product.[32]  There is an undeniable allure and power of celebrities as a persuasive power.[33] By using celebrity to forge “genuine, long-term relationships” brands create “meaningful ways to engage customers” by infusing “genuine personality in their brand” or product and cultivating a bond.[34] This creates an environment in which a consumer can have a perceived relationship with entertainment personalities, particularly through social networking. The cumulative effect of this advertising strategy creates a significant informant of a branded personality whose messages can have a powerful impact on the fragmented construction of self identity, “allow[ing] customers to makes a statement about who they are”[35] through their relationship with the brands.
All social situations, whether it be “non-digital” or information technology-mediated, are environments where “we make ourselves intelligible to each other” while gathering “[information of] others’ patterns of being”.[36]  Brands strive to create relationships with consumers[37] through advertising strategies such as branded personalities, creating a plethora of identity information, and therefore become a further catalyst to the construction of self identity.
Understanding ourselves through interpersonal relationships, group affiliations, and advertising messages[38] - sometimes presented by a figure who is influential on an interpersonal level - continually adds to, influences, and changes the information we have available for identity control. While all of these social relationships may be seen as a catalyst to the “multiphrenic condition [...] in which one swims in ever-shifting, concatenating, and contentious currents of being”,[39] it is still the information provided that is used to guide, shape, and instruct self identity.

The Rational
In Gergen’s postmodernism sphere, we are doubtful about who we are, “dismantled” and lacking any “real and identifiable characteristics – such as rationality, emotion [...] exist[ing] in a state of continuous construction and reconstruction”. Accordingly, this postmodern dystopian perspective encourages the “[...] populating of the self, reflecting the infusion of partial identities”[40] creating environments in which Gergen claims there is no essence of self to remain true to.[41]  Gergen attributes this phenomenon to social saturation, but it may be something more; it may be the seemingly disordered heap of information that technology encourages, and it may be a reasonable response to the circumstance.
The fragmentation of self may be a completely rational and natural outcome in the domain of an advanced technological world experiencing a glut of cultural information. Drawing from a modernist perspective of self, where “knowledge of the world is built up through observation [and] it is not by virtue of heredity that we are who are, but by observation of the environment”,[42] we can infer that our environment influences and shapes our identity. We are what we see, hear and learn. We are what we are exposed to, and if we are exposed to scads of mixed information messages over time, then we become fragmented. Therefore, varying cultural messages, which influence us subconsciously[43] will shape identity and corresponding gradients of self.  To put it plainly, rather than understanding identity as being an innate inherited construct, we can recognize it as flexible. Just as we have learned to “juggle multiple principles of [information] organization [in the networked world] without even thinking about it”[44], over time so have we learned to monitor and implement aspects of identity, while in some instances, becoming overwrought with the violation of our sense of identity.[45]
Gergen’s assertion is that “the fully saturated self becomes no self at all”[46] and that technology which leads to social saturation is to blame. This smacks of “technodeterminism”, attributing the fragmentation of self to new technologies gives technology authority and power.[47] We are not being “made” by technology, even though its influence can certainly be seen as a factor. It is not technology, nor simply the social aspects perpetuated by it; it is the propagation of and exposure to its information, the glut of it, that fragments our sense of self.
To better clarify, if it was purely a social issue, and one was exposed to one hundred people in an echo chamber, fragmentation would be unlikely compared to being exposed to one hundred people with twenty different polarizing viewpoints. Ergo, social saturation does not guarantee a fragmented self identity.

Conclusion
In a rejection of Gergen’s usage of the term ”multiphrenic condition” and “unlimited multiplicity”, what he sees as “multiplicity” can be defined as “adjusted self” and is just one coping mechanism used when presented with a challenge to identity, like incompatible demands, in which an outcome can be a redefined identity.[48] People have always had to maintain separate “selves” - i.e. work self, family self, social self - “performing a variety of roles” throughout any given day in a process called identity management.[49] It is true that information technologies, such as social medias, intermixes these places or states of identity - for instance causing your “work identity” and “social identity” to collide - causing friction in maintaining all of the so-called “selves” a person must sustain as they move not only through the tangible world, but the digital as well. The condition of which he speaks is not that of separate identities, but gradients of a single identity that society encourages the individual to compartmentalize in order to be accepted.
Gergen asserted that “[Information] technologies of social saturation are central to the contemporary erasure of individual self”.[50] However, they may not actually be an erasure. These technologies, and more aptly the information produced through these technologies, may add, or simply alter “an individual’s sense of self”[51], encouraging self realization and reinforcing self perception while influencing all aspects of their identity.[52] Additionally, information technologies create opportunities, “enriching our potential for seeing connections and understanding things in contexts we have never considered” before.[53] In this way these technologies are an enhancer, not an erasure. Perhaps the answer lies in a more sophisticated understanding of the impacts of advertising information on self identity, the opportunities new technologies afford, and the recognition of the consequences of errant acceptance of vast array of messages that society is bombarded with every day through information technologies.


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Footnotes
[1] Postman, Neil. Technopoly: The Surrender of Culture to Technology. New York: Vintage Books, 1993. 67.
[2] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 69.
[3] Weinberger, David. Everything Is Miscellaneous: The Power of the New Digital Disorder. New York: Holt Paperbacks, 2007. 130.
[4] Bartholomew, Mark. "Advertising and Social Identity." Buffalo Law Review 58 (2010): 931-76.
[5] Bartholomew, Mark. "Advertising and Social Identity." Buffalo Law Review 58 (2010): 938
[6] Postman, Neil. Technopoly: The Surrender of Culture to Technology. New York: Vintage Books, 1993. 21.
[7] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 6.
[8] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 16.
[9] Adler, Ronald B., and Russell F. Proctor. 14th ed. Australia: Thomson/Wadsworth, 2014. 45.
[10] Reilly, Terry Edward, and Mike Tennant. The Age of Persuasion: How Marketing Ate Our Culture. Berkeley, Calif.: Counterpoint :, 2009. 162.
[11] Postman, Neil. Technopoly: The Surrender of Culture to Technology. New York: Vintage Books, 1993. 170
[12] McChesney, Robert Waterman. "Does Capitalism Equal Democracy: Advertising." In Digital Disconnect: How Capitalism Is Turning the Internet against Democracy, 41-46. New York, New York: New Press, 2013.
[13] Weinberger, David. Everything Is Miscellaneous: The Power of the New Digital Disorder. New York: Holt Paperbacks, 2007. 118
[14] McChesney, Robert Waterman. "Does Capitalism Equal Democracy: Advertising." In Digital Disconnect: How Capitalism Is Turning the Internet against Democracy, 41-46. New York, New York: New Press, 2013. 157.
[15] Weinberger, David. Everything Is Miscellaneous: The Power of the New Digital Disorder. New York: Holt Paperbacks, 2007. 163.
[16] Sethi, Nikhil. "The Future of Advertising Hinges on Understanding Identity." AdWeek. December 9, 2013.
[17] Postman, Neil. Technopoly: The Surrender of Culture to Technology. New York: Vintage Books, 1993.71
[18] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 119.
[19] Weinberger, David. Everything Is Miscellaneous: The Power of the New Digital Disorder. New York: Holt Paperbacks, 2007.
[20] McChesney, Robert Waterman. "Does Capitalism Equal Democracy: Advertising." In Digital Disconnect: How Capitalism Is Turning the Internet against Democracy, 41-46. New York, New York: New Press, 2013. 157.
[21] Weinberger, David. Too Big to Know: Rethinking Knowledge Now That the Facts Aren't the Facts, Experts Are Everywhere, and the Smartest Person in the Room Is the Room. New York: Basic Books, 2011.
[22] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 16,
[23] Hong, Ying-yi, and Desiree YeeLing Phua. "In Search of Culture’s Role in Influencing Individual Social Behaviour." Asian Journal of Social Psychology 16 (2013): 26-29.
[24] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 138.
[25] Postman, Neil. Technopoly: The Surrender of Culture to Technology. New York: Vintage Books, 1993. 48, 60.
[26] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. Xix, 76.
[27] Nach, Hamid, and Albert Lejeune. "Coping with Information Technology Challenges to Identity: A Theoretical Framework." Computers in Human Behavior, 200, 618. *citation of Burke, 2000
[28] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 41, xi, 53.
[29] McChesney, Robert Waterman. "Does Capitalism Equal Democracy: Advertising." In Digital Disconnect: How Capitalism Is Turning the Internet against Democracy, 41-46. New York, New York: New Press, 2013.
[30] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 170, 155-156.
[31] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 56.
[32] Reilly, Terry Edward, and Mike Tennant. The Age of Persuasion: How Marketing Ate Our Culture. Berkeley, Calif.: Counterpoint. 2009. 221.
[33] Reilly, Terry Edward, and Mike Tennant. The Age of Persuasion: How Marketing Ate Our Culture. Berkeley, Calif.: Counterpoint :, 2009. 227.
[34] Reilly, Terry Edward, and Mike Tennant. The Age of Persuasion: How Marketing Ate Our Culture. Berkeley, Calif.: Counterpoint. 2009. 268, 221.
[35] Reilly, Terry Edward, and Mike Tennant. The Age of Persuasion: How Marketing Ate Our Culture. Berkeley, Calif.: Counterpoint. 2009. 221. 196.
[36] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000.4, 69
[37] Reilly, Terry Edward, and Mike Tennant. The Age of Persuasion: How Marketing Ate Our Culture. Berkeley, Calif.: Counterpoint. 2009. 242, 268.
[38] Bartholomew, Mark. "Advertising and Social Identity." Buffalo Law Review 58 (2010): 931-76.
[39] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 80.
[40] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 7, 49.
[41] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 4, 138.
[42] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 41.
[43] Bartholomew, Mark. "Advertising and Social Identity." Buffalo Law Review 58 (2010): 931-76.
[44] Weinberger, David. Everything Is Miscellaneous: The Power of the New Digital Disorder. New York: Holt Paperbacks, 2007. 11,40
[45] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 17.
[46] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 7.
[47] Weinberger, David. Too Big to Know: Rethinking Knowledge Now That the Facts Aren't the Facts, Experts Are Everywhere, and the Smartest Person in the Room Is the Room. New York: Basic Books, 2011. 173-174
[48] Nach, Hamid, and Albert Lejeune. "Coping with Information Technology Challenges to Identity: A Theoretical Framework." Computers in Human Behavior, 200, 618-29.
[49] Adler, Ronald B., and Russell F. Proctor. "Communication and Identity: Creating and Presenting Self." In Looking Out/looking in, 51-58. 14th ed. Australia: Thomson/Wadsworth, 2014.
[50] Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000. 49.
[51] Nach, Hamid, and Albert Lejeune. "Coping with Information Technology Challenges to Identity: A Theoretical Framework." Computers in Human Behavior, 200, 618.
[52] Gonzales, Amy, and Jeffrey Hancock. "Identity Shift In Computer-Mediated Environments."Media Psychology 11, no. 2 (2014): 167-85.
[53] Weinberger, David. Everything Is Miscellaneous: The Power of the New Digital Disorder. New York: Holt Paperbacks, 2007. 124.

Bibliography

Adler, Ronald B., and Russell F. Proctor. 14th ed. Australia: Thomson/Wadsworth, 2014.

Bartholomew, Mark. "Advertising and Social Identity." Buffalo Law Review 58 (2010): 931-76.

Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York, NY: Basic Books, 2000.

Gonzales, Amy, and Jeffrey Hancock. "Identity Shift In Computer-Mediated Environments."Media Psychology 11, no. 2 (2014): 167-85.

Hong, Ying-yi, and Desiree YeeLing Phua. "In Search of Culture’s Role in Influencing Individual Social Behaviour." Asian Journal of Social Psychology 16 (2013): 26-29.

McChesney, Robert Waterman. "Does Capitalism Equal Democracy: Advertising." In Digital Disconnect: How Capitalism Is Turning the Internet against Democracy, 41-46. New York, New York: New Press, 2013.

Nach, Hamid, and Albert Lejeune. "Coping with Information Technology Challenges to Identity: A Theoretical Framework." Computers in Human Behavior, 200, 618-29.

Reilly, Terry Edward, and Mike Tennant. The Age of Persuasion: How Marketing Ate Our Culture. Berkeley, Calif.: Counterpoint. 2009.

Postman, Neil. Technopoly: The Surrender of Culture to Technology. New York: Vintage Books, 1993.

Sethi, Nikhil. "The Future of Advertising Hinges on Understanding Identity." AdWeek. December 9, 2013. http://www.adweek.com/news/advertising-branding/future-advertising-hinges-understanding-identity-154330.

Weinberger, David. Everything Is Miscellaneous: The Power of the New Digital Disorder. New York: Holt Paperbacks, 2007.

Weinberger, David. Too Big to Know: Rethinking Knowledge Now That the Facts Aren't the Facts, Experts Are Everywhere, and the Smartest Person in the Room Is the Room. New York: Basic Books, 2011.

Friday, October 31, 2014

"This Week" in Pop Culture: "The Woman Issue"

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The title of the class in question seemed pretty ambiguous "Popular Culture", but needing more upper level (300 and 400) classes in order to graduate next Spring didn't offer much of a choice, plus most of the other classes being offered for this semester sounded far worse (more boring) than the brief description of this class. The class can be summed up as the critical study of popular culture and its objects, actions and experiences as related to fashion, shopping, television, film, music, books, newspapers and the Internet and how it influences the public, as well as how everyday actions affect us. Further, it's the study of how culture is defined by all of these things. It turns out the class isn't so bad.

The content of the class is centered around three texts (Pop Culture Freaks: Identity, Mass Media, and Society by Kidd, Connecting Social Problems and Popular Culture: Why Media is Not the Answer by Sternheimer, The Rhetorical Power of Popular Culture: Considering Mediated Texts by Sellnow).

In addition to the lectures the class includes a lot of documentary content that is in no way dry or boring. They don't necessarily involve new revelations, the impact of society on society, to someone over the age of thirty who already has a history of questioning everything; but since the class centers around getting students, those nearer the 20 year old mark, to think critically (they do that at this University!) and not just discount things as simply "that's how it is", it's pretty important.

If you don't think media, such as advertising, has any impact on society, and you think the notion is preposterous, then your kind of ignorance isn't likely going to get much from anything said here, or
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elsewhere. The whole point of advertising is to send a message, the whole point of film, of TV, of radio, of magazines, is to send a message. It is communication. And communication has impacts on people as individuals, people as groups, people as communities, societies, and nations. Communication is how culture is shaped and formed, and culture is part of what guides people, their beliefs, their morals, and the way they shape their ideals. These things do not simply materialize out of nothing. For the majority, they come from popular culture, its icons, symbols...its messages about who people are and how they should be. Not only do these things come from message in popular culture, but they do so an increasing rate thanks to advancements in technology over the last one hundred years or more.

The most interesting thing that has come from the class, so far, is that it took a habit of looking at the meanings and messages, and forced it to be "deeper". How so, you ask?

Glad you asked.

To illustrate, we turn to a recent AdWeek article (http://www.adweek.com/adfreak/real-beauty-nah-victorias-secret-would-rather-celebrate-perfect-body-161114) that picked up attention on Facebook (you can read the "awesome" comments herehttps://www.facebook.com/Adweek/posts/10152505894032075?comment_id=10152507506367075&notif_t=like).

This is the ad at the center of the current debate (it's for Victoria Secret).


Many people were "debating" (arguing like children) over the body message, but only a few actually hit on what the obvious issues are. At the time of discovery, nobody mentioned the "other message".

The issue isn't so much that the women are all thin, which makes the message: If you don't look like
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them you are not perfect, and you will not be perfect until you look like this. But you can try to achieve this perfection if you buy these panties (or bras).
No. It's not that.
It's that the perfect body doesn't exist for the majority of the world, and it doesn't even exist for these women - if those perfect bodies did exist then Photoshop wouldn't be needed for the advertisement. That's just obvious if you think about it - and is also a message Jean Kilbourne conveys in Killing Us Softly: Advertising's Image of Women - which is provided below all of this text. (if you unaware of the prevalence of the use of Photoshop in advertising please do watch the film, and check out the famous Dove commercialhttps://www.youtube.com/watch?v=hibyAJOSW8U)

Second, and more subtle, is the message found when really looking at the words associated with the images in the advertisement. The prominent image(s) you are supposed to focus on is that of barely dressed women and their bodies. That should be obvious to anybody who understands advertising, and/or reality. They are the focus of the ad (though some might claim that the panties and bras are supposed to be). The advertisement implores you to "Explore the Collection", and by that it means explore the bodies. And by referring to these women, these bodies, as a "collection" it transforms them into objects, objects to be admired, desired, objects to be collected, objects that are not people. Put simply, it dehumanizes them. And you're right, they probably don't care. But the point is not them caring or not, it's about what the message teaches young girls, young boys - it's about how that message is carried out in society and reduces women to objects and opens them up to being treated in violent and dangerous ways.

And before you choose to go on the stock tirade of "Well women buy the products, it's their fault. They should just stop buying products that communicate these types of messages!", look to media and advertising and find the options where these messages aren't being conveyed. The options are small, and in some cases, nonexistent.

Just as a "fun" side note, there was another Facebook post today that caught the attention of many, and incited loads of stupid comments: https://www.facebook.com/salon/posts/10152457347731519, all regarding a "Sexy PhD" Halloween costume and the response it got on Amazon by women with PhDs (comments, which, are hilarious.
The most ridiculous argument (as the time of discovery) was that "There's a market for it"...and so that somehow means it's okay, and nobody should have a feeling or thought about it. Don't be upset about it, just accept it...because consumerism...or just as bad...accept it because status quo.

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If the kind of pacifist attitude was dominate in this country (which is the United States, in case you're new to this blog), so many changes in society would have never materialized. Like the female right to vote, like the end to slavery, like the American Revolution...like so many things.
It's in the blood of Americans not to stand for the status quo.

Having said enough on the subject, you can learn more, perhaps more eloquently communicated, by watching the provided films following this entry.

From a female standpoint, the feelings they claim women have regarding these images is just as true as not. If it wasn't true, the beauty industry wouldn't be raking it in, eating disorders would wouldn't be prevalent. The issues wouldn't be so real, and if they weren't real, nobody would be talking about them.

As a quick point, this post should in no means indicate that the writer of this entry is a "feminist", or "feminazi" or whatever the cool trollish slang is these days. Rather, the goal is to inspire deeper thinking, to learn to not take things at face value, because as a matter of fact, advertising does matter, media matters, and the issues that arise from a culture manufactured by messages people discount as "just advertising" or "just TV" also matter.

The following are four recent documentaries recently presented in class that center around female images and the media messages as related to music and advertising, as well as the implications they have on women and society. While most of the focus is how this affects women, don't worry guys, there's a video here that focuses on you too (it has more to do with movies and video games...the Boy Scouts...and maybe your dad - but definitely society).

Before you comment here, or elsewhere, watch at least two of the videos (particularly the first one); basically, don't be a dick about it, don't be a troll about it, don't be cyberbully, a douchebag, or an ignorant waste of human space.

You probably have time to learn something, and if you don't then you really shouldn't be reading this blog post, or be on the internet. Bookmark the page. Come back when you have time.
As always, comments from people who know how to communicate like adults, are welcome.

Happy Halloween. When you're done here, go have fun being something slutty. ;-)


Killing Us Softly 4 by 1989jkm



<clicking on the image takes you to the video located here:
http://thoughtmaybe.com/dreamworlds-desire-sex-and-power-in-music-videos/>